Questions On Institutional Critique And Practice Of An Art...

Same: No, not same, but similar. Explorations into Institutional Critique to Practice of an Art Producer. John Teddy Chan, B. Jonathan Chan Name: Jonathan Chan Student Number: CHA09269156 Course: MA Fine Art Year: 2014/15 University: UAL - Chelsea College of Arts Words: Content Introduction p.3 Institution Critique to Me p.5 Fred Wilson and Me p.11 Comparison of Institutional Critique to Me p.19 Conclusion p.22 Bibliography p.23 Images List p.24 Introduction â€Å"Today, art institutions, and more broadly speaking the institutions of the public sphere, do not even pretend to be autonomous from the forces of economic power – a notion that museum claim to uphold as recently as a couple of decades ago. With the ideals of the institution of art, and of other Enlightenment institutions of public subject formation, in ruins, artist who continue to work in the legacy of institutional critique are led to choose between contemplating the moribund cultural apparatus and engaging with social conflict far beyond it. The most interesting art being produce today fuses these irreconcilable positions.† On one hand, Fine art, from the 17th century onward, has meant art forms developed primarily for aesthetics. This has distinguished them from applied arts that also have to serve some practical function. 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